With their plans to tour Puerto Rico in 2017 thwarted by hurricane Maria, the FJE, Miguel Zenón, and special guest Evan Ziporyn, gave two benefit concerts last year (MIT & Hunter College, NYC), raising nearly $7000 for the Puerto Rico Recovery Fund. January 20-27, 2019, FJE and MacArthur Fellow and leading saxophonist-composer of his generation, Miguel Zenón, will have an intensive cultural exchange with Puerto Rico, presenting four free concerts, holding eleven science and engineering workshops at four high schools, and participating in community activism talks on climate change, clean energy, and technology for disaster relief.

 

FJE will be immersed in the musical culture of Puerto Rico through La Plena workshops, performing with musicians on the island, and other musical interactions. "We are thrilled to now fulfill our dream of bringing Miguel Zenon’s music (including his new composition and our anthem for the tour, En Pie de Lucha, For the Resilient People of Puerto Rico) and the research/work of MIT students to the island in an effort to contribute to the ongoing challenges Puerto Rico faces,” noted Fred Harris.

Ken Urban Wins 2024 Blue Ink Award

As part of the award, Urban receives a $3,000 cash prize, a staged reading directed by Artistic Affiliate Dexter Bullard at American Blues Theater, and the opportunity to further develop his script with our artists.

Composing for 37 Years at MIT

In the intimate but acoustically reassuring Killian Hall, with the cooperation of Collage New Music, the Institute’s Music Department hosted an evening of Peter Child’s recent works.

MTA Associate Professor Emily Richmond Pollock Named 2024 MacVicar Fellow

Role models both in and out of the classroom, Berggren, Campbell, Pollock, and Vaikuntanathan join an elite academy of scholars from across the Institute who are committed to curricular innovation; exceptional teaching; collaboration with colleagues; and supporting students through mentorship, leadership, and advising.

Play It Again, Spirio

A piano that captures the data of live performance offers the MIT community new possibilities for studying and experimenting with music