Is anything lost in playing Mozart and Beethoven concertos with chamber forces?
Because these arrangements are for small string ensembles (to which I added bass), we lose the color of the wind instruments and the power of the brass and timpani.
Ken Urban Wins 2024 Blue Ink AwardAs part of the award, Urban receives a $3,000 cash prize, a staged reading directed by Artistic Affiliate Dexter Bullard at American Blues Theater, and the opportunity to further develop his script with our artists.
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Composing for 37 Years at MITIn the intimate but acoustically reassuring Killian Hall, with the cooperation of Collage New Music, the Institute’s Music Department hosted an evening of Peter Child’s recent works.
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MTA Associate Professor Emily Richmond Pollock Named 2024 MacVicar FellowRole models both in and out of the classroom, Berggren, Campbell, Pollock, and Vaikuntanathan join an elite academy of scholars from across the Institute who are committed to curricular innovation; exceptional teaching; collaboration with colleagues; and supporting students through mentorship, leadership, and advising.
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Play It Again, SpirioA piano that captures the data of live performance offers the MIT community new possibilities for studying and experimenting with music
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